Wisconsin

PAUL GERO // Pivoting Your Work to Find Your Worth (#025)

EPISODE EMBED

You can find the transcript of this episode here. Transcripts of all episodes can be found here.

Have you ever stepped back in your career, whether you’re a visual creator or not, and thought, “Well, shit… is this it? Is this really as good as it gets? Is this what I want to be doing for the next X years of my life?” Don’t worry, that’s a positive thing (despite however dark night of the soul it may feel like in the moment) And, you are definitely not the only one feeling that way.

In the business and corporate world, (yes I know a lot of you will bristle at the very mention of that word, but here me out) there’s a really common expression or phrase that so encapsulates today’s episode – “When you get to the top of the ladder you may find it is propped against the wrong wall.” Today’s episode is all about examining your ladder and things aren’t feeling right, knowing how to jump to the right ladder to take you to the top.

Paul Gero is a portrait and wedding photographer and has been working professionally for over 35 years.

Prior to creating a portrait and wedding business he was a photojournalist for two major metropolitan newspapers (The Chicago Tribune and The Arizona Republic) and photographed thousands of assignments from pro sports, business portraits, documentary stories to general assignment work. His images have been published in magazines around the world during his career.

He has been a Sony Artisan of Imagery since 2014 and speaks often about Sony mirrorless cameras at professional gatherings.

He and his wife Nicki run their business from their home base in Lake Mills, WI (his home state) after nearly 17 years in Southern California while raising their two children Kate and Sparky. Documenting their lives is his favorite and most personal photography project.

In today’s wide-ranging and beautifully encompassing episode, Paul and I explore his photographic career and transition from staff photojournalist to freelance business owner, how moving from California to Wisconsin taught him about the power of truly local visual storytelling, what mistakes younger photographers are constantly making, and how he created a beautifully simple execution of a personal project safely in the midst of a global pandemic.

So, as always — Keep seeing, keep shooting, and keep putting your best Photo Forward. LATER!

LISTEN ON APPLE // LISTEN ON SPOTIFY // WATCH ON YOUTUBE

PHOTOS FROM THE EPISODE //

SHOW NOTES // COMING SOON

PHOTOGRAPHERS MENTIONED //

QUESTIONS? // What was your favorite quote or lesson from this episode? Please let me know in the comments!



LAUREN JUSTICE // A Persistent Vision (#015)

LAUREN JUSTICE // A Persistent Vision (#015)

So, everybody listening to this podcast probably knows either from practical experience or just intuitively that crafting a career as a photographer or other visual creator is no small feat. From staving off burnout to managing finances, freelancers have to DO IT ALL. So why is it then that freelancers so often fail to actually break out of the vicious cycle of feast or famine workloads?

Well, our guest today is the perfect example of how to make it happen as a freelance photojournalist by diving in headfirst into new locations and experiences and figuring it all out along the way. Lauren Justice is a freelance photojournalist currently based in Madison, Wisconsin. Trust, intimacy, and time are cornerstones of her work and believes in using photography as a tool for education, awareness, and understanding.



RUTHIE HAUGE // Photojournalism; Everywhere (#013)

Screen Shot 2019-11-29 at 10.53.38 PM.png

When you hear the word “photojournalist” – What comes to mind? A warzone or conflict photographer? A sports shooter lugging a few supertelephoto lenses around the sidelines of a professional sporting event? Or maybe it’s the fly on the wall, spending countless hours following a singular subject, telling a singular, poignant story with images? Well, in my mind, it’s ALL of that and NONE of that. Let me explain

These tropes exist for a reason, they are often true. But today’s episode gets at the heart of photojournalism– applying our craft of using photos and videos to tell the most authentic, human story possible, visually. Photojournalism is everywhere and today’s guest shares her mindset and outlook as a photojournalist and editorial photographer AND how that’s helped her position herself as an expert in her craft, no matter her location.

Ruthie Hauge’s roots are in photojournalism and art. She received a scholarship to attend Milwaukee Institute of Art & Design, where she majored in photography and minored in drawing. She was hired as a Staff Photographer by Sun-Times Media in Illinois where she worked for almost 7 years and earning 18 State and National Photojournalism awards. In the summer of 2012, Ruthie gave up her staff position to focus on her business and her new role as Mom. According to her bio, Before a long day of photography Ruthie's pre-game ritual includes 8+ hours of sleep, a burger, a playlist of Hall & Oates, and an iced white chocolate mocha. On assignment, Ruthie is usually doing whatever is necessary to get the best possible photo, whether it be sloshing through a ditch, balancing on the roof of a skyscraper, flying in a blimp or standing in a bathtub and She loves EVERY minute of it. Ruthie goes above and beyond for her clients while also capturing as much personality, life and storytelling in her images as possible.

In today’s episode, Ruthie and I dive in on treating your creative work as a business, how to get connected in new locations and building your tribe, and the importance of finding a partner who shares your values and complements your skills. So, without any further ado, my interview with Ruthie Hauge.

PHOTOS FROM THE EPISODE: COMING SOON

QUESTION(S) OF THE DAY: What was your favorite quote or lesson from this episode? Please let me know in the comments!

SHOW NOTES: COMING SOON



SMART Goals for Creatives // (#011)

Hey Photo Forward listeners — WE ARE BACK. Yes, finally at long last after a brief hiatus of me moving to Minneapolis-St.Paul, the Photo Forward Podcast is back and better than ever. We’ve got some incredible interviews lined up for the coming months and experimenting with new content on the show. Thank you all so much for your patience. So, without further ado, let’s get into this week’s episode on the beauty of SMART goals for creatives.

Probably the majority of you all listening this right now would classify yourselves as creatives of one sort of another. And if that’s the case and you self-identify that way like I do, you’ve probably been fed a similar popular wisdom throughout your lives — creatives (photographers/artists/writers/you name it) produce their best work when they are free, unencumbered and left to their own devices, following their creative spirit… while businesspeople/entrepreneurs and the like need structure and analytical thinking to thrive. Well, quite frankly...we’ve all been fed the same lie. It’s time to get SMART and set some goals.

Hey everyone and welcome to the Photo Forward podcast, where we dive in deep each week on the art of visual storytelling, exploring the stories behind some of the greatest photographers in the world. From creative inspiration, to finding balance as a creative professional, to how to actually make a living as a photographer, videographer, or multimedia creator – I’m your host, Ben Brewer.

When you hear “goal-setting” or “tracking your performance”, you probably want to lace up your shoes and run, having flashbacks to meaningless professional development classes or filling out TPS reports at a past nightmare job… But stay with me here.

I want to pull back the curtain on a concept from the realm of project management and personal development that I all but guarantee will help focus the planning, creation, and exposition of your creative work–whether it’s for your overall growth as a creator or on a specific photo or video project. They’re called SMART goals. And no, it has nothing to do with the intelligence of your ideas or their execution.

An acronym coined back in the early 80’s by management consultant George T. Doran, the letters of SMART goals correspond to: Specific, Measurable, Attainable, Relevant, and (probably the biggest crutch to executing creative work) Time-Bound.

The best creative work needs to keep this shit in mind from beginning to end. Obviously things might change throughout the course of creation, but it’s important to not let inattention waste quality creativity. Let’s break down what each of those mean. Say I’m pitching a photography project to an editor. I better damn well exactly know the Who, What, When, Where, and Why (that priority matters, read some of Simon Sinek’s work for some perfect examples of the importance of “Starting with Why”. Is it a solo project or will it require a crew to fulfill your creative vision? What is it? When are you going to start it (but seriously, WHAT DAY)? Where are your shoot locations / Where are you going to edit and post-produce the work? And last but clearly not least, WHY should this work exist? In other words, be Specific.

Now, if you’re working on a piece of long-term project, it can be super, super easy to fall into the, well, HUMAN, trap of not spacing one’s content creation out appropriately or arguably worse yet, not keeping track of how a project is progressing. I can actually hear my inner monologue working on the script for this episode going: “I wrote SOME of it tonight. I got SOME of my ideas down. That’s a successful day of writing, right?” Think about the last creative project you worked on that DIDN’T pan out as well as you’d hoped. Did you keep track of how MUCH you were producing along the way? Did you write X words, take X photos, sketch X drawings this month like you said you would? Now obviously, things happen. Life has a funny habit of getting in the way of finishing projects. But knowing how MUCH you should produce does wonders for keeping a Specific project on track — The goal has to be Measurable.

Now, we’ve nailed down what the first part of SMART goals stands for. But take a good hard look in the mirror for this next one. Do you have the skills to reach your goals or deliver on your creative projects? What good is a Specific and Measurable goal, say creating photography work on a compelling subject three times a week...that you want to see published this year in National Geographic... if you’ve only been a working photographer for a few months? All the busting ass in the world can’t make up for the fact that skill and mastery take time. Making world-class work in your first months as a photographer simply isn’t an ATTAINABLE goal. Your goals, projects and personal development as a creative need to INSPIRE you to action, not demotivate you to getting stuck in the status quo.

So, for the penultimate letter in SMART goals, we’re looking at essentially the meta-goal of your creative project – RELEVANT – does it make SENSE for you to be working now on THIS. You may be able to create a beautifully cinematic demo reel of your travel videography, but if your bread and butter (economically speaking) as a creator is your portraiture or corporate work, it MIGHT not make sense for you to commit time and energy into editing that reel. There are an infinite number of endeavors we CAN spend our time on, so we as creators need to be highly mindful on the RELEVANCE of the work we’re producing. As an aside, I struggle with this constantly as a freelance photojournalist; Even spending time on this podcast seems at times like it isn’t my “ONE BIG THING” that I need to be spending time on, but I know that the long-tail outcomes of producing and interviewing brilliant creative minds justifies the time it takes — i.e. Creating a visual storytelling podcast is RELEVANT to my goals to thrive as a freelance creator because it’s a learning opportunity and a means to reach a wider audience with my work.

And last, you guessed it, Time-Bound. Now, practically all of us can think back to an experience in high school or college where you were given a big essay or project due in a few weeks. And probably some of you were what we call “forward-thinking” or “organized” and got ahead on the project and whittled away at milestones or drafts along the way, making the last few days before the due date simple. Or were you were more like myself and maybe...neglected...to work on projects as much as you ought to and left the bulk of the project for those last few days before it was due? Well, I’ve got good news for you. Regardless of which group you might fall into, what’s important here is that sneaky little due date. That’s really the most basic example of a Time-Bound goal. So on your creative projects, whether it’s a daily goal, weekly or monthly one, or even a big audacious five-year one, keeping the project bound by time makes sure it gets done.

The real beauty of SMART goals isn’t just by following one or another, it’s how they mesh together. The art comes together when you combine Specific, Measurable, Attainable, Relevant, and Time-Bound. SMART goals get projects started, they keep content on track, and they get you results on your creative work. So, now time to get working and get SMART.

What part of SMART goals do you guys struggle with the most? I’d love to hear more by connecting on Facebook or Instagram @BBrewerPhoto or email podcast@photoforward.media.

Enjoying listening to the Photo Forward Podcast? Want to hear more thought-provoking, creative visual storytellers? Well, this is where you come in. We want to get the word out as wide as possible about Photo Forward and reach as many listeners as possible. And the best way to do that is through reviews and recommendations on iTunes, Stitcher, or wherever you consume your podcasts. If you want to support more engaging and intimate conversations with photographers, videographers, and storytellers the world over, head on over the Photo Forward page and drop a review or even a rating. It means a ton to growing the show and I personally read through each and every review to make this show the best damn visual storytelling podcast out there.

This has been another episode of Photo Forward, produced and edited by me, your host Ben Brewer. Music featured in this episode was licensed through the AMAZING music site – Artlist.io. All the original, royalty-free music you could ever want to use in your creative projects for a super reasonable price. For an extra two months FREE, check it out and follow the link www.artlist.io/Ben-8800

And, as always, keep seeing, keep shooting, and keep putting your best Photo Forward. See you all next week.

LISTEN ON APPLE // LISTEN ON STITCHER // WATCH ON YOUTUBE



Photo Forward is MOVING (A Quick Announcement)

Hello everyone and welcome to the Photo Forward Podcast, I’m your host Ben Brewer. Today, as you might have gathered from the title and a bit of irregularity in the schedule recently is more an announcement and some housekeeping than one of our usual deep-dive interviews with photographers, videographers and visual creators.

So, as some of you might have known, for the past 6 years, I’ve been based out of Madison, Wisconsin. And as much as I’ve loved living in the Cheesehead state, sometimes it’s simply the right set of life circumstances at the right moment to make a leap of faith and relocate geographically. So, spoiler alert: I’ve moved!

I’ve made the decision to move back across the border to my home state of Minnesota to continue to grow my freelance work and if I’m being honest, take some steps to grow personally.

So what does that mean for Photo Forward. In short, it’s going to be pretty much business as usual. The Podcast will continue with a renewed focus on bringing on exciting, creative, and inspiring guests...with one caveat. As you all I’m sure are aware: Moving on its own is a long, stressful, and time-consuming process — and adding in relocating a business and home office doesn’t make it much simpler. So for all of you that have been Jonesing for new Photo Forward episodes this last month, I wanted to apologize for the lack of updated content. This podcast project has meant a hell of a lot to me this past year and your support and listenership has been a huge driving force along the way.

So, in short: New Photo Forward episodes are ON THEIR WAY, but you’ll have to be a bit patient. I’ll be giving plenty of updates (be sure to follow @BBrewerPhoto on the socials) as we “re-launch” the podcast in my new state. I can’t wait to keep producing the series and look forward to having you (and all your friends) along for the ride in 2019 and beyond.

So, as always — Keep seeing, keep shooting, and keep putting your best Photo Forward. Cheers everyone.

LISTEN ON APPLE / LISTEN ON STITCHER / LISTEN ON SPOTIFY



ANDY MANIS // One Picture, One Story (#006)

Screen Shot 2019-11-03 at 3.47.10 PM.png

“It’s what’s between the ears that makes the picture. Not what’s in front of the eyes.”

Hello everyone and welcome to the Photo Forward Podcast, where we explore the stories behind some of the greatest visual storytellers in the world. From their photographic origins, to finding work-life balance as creative professionals, to how to actually make a living as a photographer, videographer, or multimedia creator — we uncover what makes them tick and their shutters click. I’m your host, Ben Brewer.

Associated Press. The A. P. If you follow the editorial, photojournalism or news photography world, you already know that organization is a heavy hitter. (For those of you that don’t, the AP is a global news agency and wire service with over two hundred bureaus in over a hundred companies. And a hefty stack of Pulitzers to boot since their founding around 100 years ago.) And so, if you as a photographer could put AP contributor or stringer in your bio, that carried a hell of a lot of weight.

But the world has changed since the heydays of wire service photography and newsgathering. As newspapers struggle to reinvent their business model in the digital world, that pushes organizations like the AP, Reuters, AFP and more to cut back on the number and regularity of contributor content.

But you’re thinking, “Yeah, that’s a great sob story, Ben. Why should I care? My photography work is totally different.” Everybody thinks they’re immune to the democratization of visuals, but the truth is, we’re all vulnerable. If you don’t intentionally reinvent yourself and adapt to our new visual world, you’ll get left behind all the same. That’s why I brought on today’s guest, AP Photographer and all-around great guy.

Andy Manis started his freelance business in 1995 and has been going strong ever since. Manis began his career in photography in 1980. He has held positions as a college staff photographer, staff photographer at newspapers, a photo editor for a wire service and an educator. Some of Andy’s clients include the University of Wisconsin, Wisconsin State Journal, Getty Images, The Associated Press, The New York Times, Washington Post, USA Today among many others. Manis lives in Madison with his wife and step-daughter where they love to cook and enjoy the outdoors.

In today’s episode Andy and I break down how adapting your freelance work to the changing state of photography is critical, why sometimes, the best marketing tactic is just making face-to-face connections, and the importance of telling a unique story, even in a single photo. We even get into a bit of the nuts and bolts of taking care of yourself as a freelancer and some tips Andy has for avoiding burnout.

LISTEN ON APPLE / LISTEN ON STITCHER / LISTEN ON SPOTIFY

WATCH ON YOUTUBE:

PHOTOS FROM THE EPISODE: COMING SOON

QUESTION(S) OF THE DAY: What was your favorite quote or lesson from this episode? Please let me know in the comments!

SHOW NOTES: COMING SOON